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Relationship between Kelly Kelleher and The Senator

Black Water (Joyce Carol Oates Edition)

Kelly Kelleher and The Senator’s relationship begins as a chance encounter at a Fourth of July gathering and ends in the submerged Toyota where Kelly dies. Across a few hours, their connection shifts from wary acquaintance to a mutual physical encounter, then to a life-or-death test in which Kelly waits for a rescue that does not come. The narrative leaves their deeper feelings unknowable while making the consequences of their brief intimacy unmistakable.

First Meeting and Changing Impressions

Kelly meets The Senator at Buffy St. John’s gathering on the Fourth of July, introduced by Ray Annick, The Senator’s friend and former schoolmate. They have not known each other before that afternoon. Kelly initially regards the politician with skepticism, reading his energetic handshaking and attention to guests as the practiced behavior of someone always campaigning. Over the following hours, however, she revises her judgment. The encounter matters partly because she recognizes that her first assessment may have been wrong, not because the narrative establishes that she has fallen in love.

Their early rapport is presented as immediate and unexpected. The Senator’s grip on Kelly’s hand is just perceptibly too hard, a small physical gesture that sits uneasily beside the warmth of their meeting. The moment resonates with Kelly’s memory of G-----, who had sometimes hurt her unconsciously. The connection therefore develops in a world where touch is not merely affectionate: it can carry pressure and recall earlier vulnerabilities.

Attraction and the Decision to Leave

Later, The Senator and Kelly walk through the dunes behind the St. John house. The wind, surf, and gulls frame an encounter in which he grips her shoulders and kisses her. Kelly experiences the moment as both startling and anticipated, sensing that their interaction is moving toward something difficult to stop. The narrative does not settle whether either person is in love; it distinguishes the force of the encounter from any certainty about what it means to them.

The kiss changes Kelly’s view of The Senator and becomes part of her decision to accompany him rather than remain at Buffy’s for the night. Her choice is also public: leaving with him acknowledges the attraction between them. She understands herself as the woman he has chosen, and as the passenger in the speeding car that carries them away. The shift from a gathering among friends to a private journey makes their new connection concrete, but does not turn it into a durable or clearly defined partnership.

The novel also places their intimacy within an unequal negotiation of power. Its concise parallel between politics and eros frames both as negotiations over power, while the account of Kelly’s experience stresses that she often registers the man’s desire before her own. After The Senator kisses her, she feels anxiety and guilt and anticipates that having made him want her may make refusal difficult. The account thus separates her physical response and decision to leave from an uncomplicated claim of equal desire or freedom from pressure.

The Crash and the Failed Rescue

The Toyota skids off the road and plunges into black water. In the submerged car, Kelly and The Senator struggle to escape. He frees himself and forces his way out, while Kelly is left trapped. During the escape, she grasps at him and pleads for help; he pushes her away as he gets out. Kelly cannot immediately recall his name, a detail that turns their brief acquaintance into a cruel practical absence when she most needs to call him.

After he is gone, Kelly tries to understand what has happened and holds to the possibility that The Senator has swum ashore to get help and will return. The narration sustains that imagined rescue alongside the actual course of events. His friend Ray later hears The Senator admit over the phone that there has been an accident and that the girl is dead. The Senator’s account blames Kelly, claiming she was drunk, became emotional, and grabbed the wheel; the evidence does not establish this version as fact. The contrast between Kelly’s hope and his self-protective explanation exposes how sharply their experiences of the crisis diverge.

The story briefly imagines that The Senator might have gone for help, but then shows him fleeing on foot after reaching shore, afraid of being discovered and concerned about the consequences for his political future. His call to Ray is an appeal for assistance after the accident, not a return to Kelly. The possibility of rescue that sustains Kelly’s belief is therefore contradicted by the account of his actions.

Memory, Hope, and the Ending

As Kelly remains trapped, she tries to preserve the belief that The Senator has not abandoned her. She explains his absence to an indistinct gathering as an effort to summon help, and insists in her thoughts that he has not kicked, forgotten, or left her to die. These hopes persist even as the account has already shown him escaping and then fleeing. The gap between what Kelly needs to believe and what The Senator does gives their relationship its final, devastating form: an intimate encounter transformed into a one-sided dependence on a man who is no longer there.

The narrative imagines a return in which The Senator dives back to the car, finds Kelly, and pulls her free. In that imagined rescue, she reaches the surface and swims toward the night sky, taking the moon as evidence that she is alive. The scene then folds into images of her parents and childhood. It does not alter the outcome: Kelly dies as the black water fills her lungs. The imagined rescue and the confirmed death remain together, showing how hope can persist inside the final moments without becoming a real reconciliation or escape.

Significance of the Relationship

The relationship is brief, consequential, and unresolved in emotional terms. The narrative refuses to claim that the two have fallen in love, leaving their private feelings unknowable; what it does establish is Kelly’s changed opinion, the kiss, her decision to leave with The Senator, and the fatal consequences of their journey. Attraction is not presented as proof of equal power or lasting commitment, and the Senator’s escape makes the difference between their positions literal.

Their story also connects private intimacy with public identity. Kelly’s departure marks her as The Senator’s chosen companion for the evening, while his later terror includes the possibility that the accident will damage his ambitions and standing. Against that political calculation, Kelly’s hopes remain fixed on being remembered and rescued by the man whose name she could not summon when the car sank. The relationship ends not with a shared account of what happened, but with Kelly’s imagined version of his return and the reader’s knowledge that he did not come back.

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